(1949) had his art education at the Harrow School of Art, United Kingdom between 1969 and 1972. He exploits the celebratory nature of temple colour schemes to the fullest. He chooses to ignore conventional perspective and precise detail introducing a dense tapestry of colour and mark that gives his temples a monumental hilarity which - in some Narniasque way present us with precious slices of heaven that are more fragrant, more bright and more delicious than the actual world we live in.
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